Wednesday, 16 May 2012

Potential Names for my magazine

Review

This suggests that the magazine is an independent publication. This title could work as review is a very common word and people would therefore remember it.

Film Hub

This title suggests that this magazine will be appropiate for readers wanting to know all about different types of film. As the word 'hub' in the title suggests this magazine is central for everything to do with films.

Centre Point

This title suggests that films will be more mainstream due to the catchy title. This would be more appropiate for films such as 'Spiderman' and 'The Hangover'.

Action

This title suggests the magazine would broadcast mainstream films. The word action is usually related to mainstream films too as they tend to be big budget films. 

Scene

This title would be more appropiate for an independent film. The title is less catchy and more slick and smart and could therefore be related to a more formal publication.

Conventions of Film Magazines



Tuesday, 15 May 2012

Certificate for my film

Having research the guidelines about film classifications, I believe that my film would be most appropiate for the 15 certificate. As my film is a psychological thriller and therefore leans towards the more horrific and terrifying categories, I believe that as a whole the 15 certificate is necessary as there isn't alot of strong language used out of context. Mostly strong language, such as the word 'fuck' will be used in context and not at just random stages. The film will endure some strong violence in scenes but this will not be on the verge of inflicting pain or injury and therefore allows it to fall in the 15 certificate category.


Certificate Guidelines

In this post I have gone onto the BBFC website to research the guidelines for each classification in order for me to later choose an appropiate certificate for my film.


Universal – Suitable for all
It is impossible to predict what might upset any particular child. But a ‘U’ film should be suitable for audiences aged four years and over. ‘U’ films should be set within a positive moral framework and should offer reassuring counterbalances to any violence, threat or horror.
If a work is particularly suitable for a pre-school child to view alone, this will be indicated in the Consumer Advice.
Discrimination - No discriminatory language or behaviour unless clearly disapproved of.
Drugs - No references to illegal drugs or drug misuse unless they are infrequent and innocuous, or there is a clear educational purpose or anti-drug message suitable for young children.
Horror - Scary sequences should be mild, brief and unlikely to cause undue anxiety to young children. The outcome should be reassuring.
Imitable behaviour - No potentially dangerous behaviour which young children are likely to copy. No emphasis on realistic or easily accessible weapons.
Language - Infrequent use only of very mild bad language.
Nudity - Occasional natural nudity, with no sexual context.
Sex - Mild sexual behaviour (for example, kissing) and references only (for example, to ‘making love’).
Theme - While problematic themes may be present, their treatment must be sensitive and appropriate for young children.
Violence - Mild violence only. Occasional mild threat or menace only.

Parental Guidance - General viewing, but some scenes may be unsuitable for young children
Unaccompanied children of any age may watch. A ‘PG’ film should not disturb a child aged around eight or older. However, parents are advised to consider whether the content may upset younger or more sensitive children.
Discrimination - Discriminatory language or behaviour is unlikely to be acceptable unless clearly disapproved of or in an educational or historical context.  Discrimination by a character with which children can readily identify is unlikely to be acceptable.
Drugs - References to illegal drugs or drug misuse must be innocuous or carry a suitable anti-drug message.
Horror - Frightening sequences should not be prolonged or intense. Fantasy settings may be a mitigating factor.
Imitable behaviour - No detail of potentially dangerous behaviour which young children are likely to copy. No glamorisation of realistic or easily accessible weapons.
Language - Mild bad language only.
Nudity - Natural nudity, with no sexual context.
Sex - Sexual activity may be implied, but should be discreet and infrequent. Mild sex references and innuendo only.
Theme - Where more serious issues are featured (for example, domestic violence) nothing in their treatment should condone unacceptable behaviour.
Violence - Moderate violence, without detail, may be allowed, if justified by its context (for example, history, comedy or fantasy).



Suitable for 12 years and over
Exactly the same criteria are used to classify works at ‘12A’ and ‘12’. These categories are awarded where the material is suitable, in general, only for those aged 12 and over. Works classified at these categories may upset children under 12 or contain material which many parents will find unsuitable for them.
The ‘12A’ category exists only for cinema films. No one younger than 12 may see a ‘12A’ film in a cinema unless accompanied by an adult, and films classified ‘12A’ are not recommended for a child below 12. An adult may take a younger child if, in their judgement, the film is suitable for that particular child. In such circumstances, responsibility for allowing a child under 12 to view lies with the accompanying adult.
The ‘12’ category exists only for video works. No one younger than 12 may rent or buy a ‘12’ rated video work.
Discrimination - Discriminatory language or behaviour must not be endorsed by the work as a whole. Aggressive discriminatory language or behaviour is unlikely to be acceptable unless clearly condemned.
Drugs - Any misuse of drugs must be infrequent and should not be glamorised or give instructional detail.
Horror - Moderate physical and psychological threat may be permitted, provided disturbing sequences are not frequent or sustained.
Imitable behaviour - Dangerous behaviour (for example, hanging, suicide and self-harming) should not dwell on detail, which could be copied, or appear pain or harm free.  Easily accessible weapons should not be glamorised.
Language - Moderate language is allowed. The use of strong language (for example, ‘fuck’) must be infrequent.
Nudity - Nudity is allowed, but in a sexual context must be brief and discreet.
Sex - Sexual activity may be briefly and discreetly portrayed. Sex references should not go beyond what is suitable for young teenagers. Frequent crude references are unlikely to be acceptable.
Theme - Mature themes are acceptable, but their treatment must be suitable for young teenagers.
Violence - Moderate violence is allowed but should not dwell on detail. There should be no emphasis on injuries or blood, but occasional gory moments may be permitted if justified by the context. Sexual violence may only be implied or briefly and discreetly indicated, and must have a strong contextual justification.


Suitable only for 15 years and over
No one younger than 15 may see a ‘15’ film in a cinema. No one younger than 15 may rent or buy a ‘15’ rated video work.
Discrimination - The work as a whole must not endorse discriminatory language or behaviour.
Drugs - Drug taking may be shown but the film as a whole must not promote or encourage drug misuse. The misuse of easily accessible and highly dangerous substances (for example, aerosols or solvents) is unlikely to be acceptable.
Horror - Strong threat and menace are permitted unless sadistic or sexualised.
Imitable behaviour - Dangerous behaviour (for example, hanging, suicide and self-harming) should not dwell on detail, which could be copied. Easily accessible weapons should not be glamorised.
Language - There may be frequent use of strong language (for example, ‘fuck’). The strongest  terms (for example, ‘cunt’) may be acceptable if justified by the context. Aggressive or repeated use of the strongest language is unlikely to be acceptable.
Nudity - Nudity may be allowed in a sexual context but without strong detail. There are no constraints on nudity in a non-sexual or educational context.
Sex - Sexual activity may be portrayed without strong detail. There may be strong verbal references to sexual behaviour, but the strongest references are unlikely to be acceptable unless justified by context. Works whose primary purpose is sexual arousal or stimulation are unlikely to be acceptable.
Theme - No theme is prohibited, provided the treatment is appropriate for 15 year olds.
Violence - Violence may be strong but should not dwell on the infliction of pain or injury. The strongest gory images are unlikely to be acceptable. Strong sadistic or sexualised violence is also unlikely to be acceptable. There may be detailed verbal references to sexual violence but any portrayal of sexual violence must be discreet and have a strong contextual justification.


Suitable only for adults
No-one younger than 18 may see an ‘18’ film in a cinema.
No-one younger than 18 may rent or buy an ‘18’ rated video.
In line with the consistent findings of the BBFC’s public consultations and The Human Rights Act 1998, at ‘18’ the BBFC’s guideline concerns will not normally override the principle that adults should be free to choose their own entertainment. Exceptions are most likely in the following areas:
                where the material is in breach of the criminal law, or has been created through the commission of a criminal offence
                where material or treatment appears to the BBFC to risk harm to individuals or, through their behaviour, to society – for example, any detailed portrayal of violent or dangerous acts, or of illegal drug use, which may cause harm to public health or morals. This may include portrayals of sexual or sexualised violence which might, for example, eroticise or endorse sexual assault
                where there are more explicit images of sexual activity, which cannot be justified by context. Such images may be appropriate in ‘R18’ works, and in ‘sex works’ (see below) would normally be confined to that category.
In the case of video works (including video games), which may be more accessible to younger viewers, intervention may be more frequent than for cinema films.
Sex education at ‘18’ - Where sex material genuinely seeks to inform and educate in matters such as human sexuality, safer sex and health, explicit images of sexual activity may be permitted.
Sex works at ‘18’ - Sex works are works whose primary purpose is sexual arousal or stimulation. Sex works containing only materials, which may be simulated, are generally passed ‘18’. Sex works containing clear images of real sex, strong fetish material, sexually explicit animated images, or other very strong sexual images will be confined to the ‘R18’ category. Material, which is unacceptable in a sex work at ‘R18’, is also unacceptable in a sex work at ‘18’.




My cast and Crew

Cast

Jodie Foster - Jade Mullem (18 years old, student studying fashion design at college, currently
                                            employed by retailer Reiss).

Adam Green - Sam Gee (18 years old, from London, student studying Media Studies, Politics and          
                                       Business Studies. Interested in sports such as football and rugby).

Hurt Russell - Sam Sharer (16 years old, currently attends school working towards GCSE's. The            
                                           middle child. Very much interested in table tennis and music). 

Crew

Music - Howard Shore


Howard Shore is a Canadian composer, best known for his soundtracks in films. He has composed over 80 films, with the 'Lord of the Rings' trilogy his most famous to date. He has won many awards includng the Golden Globe Award, Academy Award and Grammy Award. 



Casting Director - Don Phillips


He produced Melvin and Howard in 1980 which was nominated for the Golden Globe. He is best known for his role as casting director in the films; 'Dog Day Afternoon' and 'The Game'.

Director of Photography - Darius Khondji


Darius Khondji was born in 1955. He has been a cinematographer in many films with his most notable 'Seven' (same genre of film as mine). Other films include; 'Midnight in Paris' and 'The Beach'.

Executive Producers - Jonathan Mostow & Dan Kolsrud


Jonathan Mostow was born in 1961 and aswell as a producer he has also be known to be a director and writer in various other films. His most noteable film working as an executive producer is 'Hancock'.

Dan Kolsrud is best known for being the executive producer in the film 'Seven'.

Screenplay - Michael Ferris & Andrew Kevin Walker


Michael Ferris born in 1961 is both a screenplayer, producer and actor. For his screenplay he is best known for, 'Terminator 3' and 'Surrogates'.

Andrew Kevin Walker, born 1964 in Pennsylvania did some uncredited additions to the Fight Club script, where is the final credits of the film his name is included but as 3 detectives who try to castrate the narrator. Shown as Andrew, Kevin and Walker.

Producers - Arnold Kopelson & Steve Golin


Arnold Kopelson has produced around 30 films, being awarded for Best Picture Academy Award and a Golden Globe. Kopelson's films have collectively been responsible for 17 Academy Awards and over $3 billion is worldwide sales. He is best knwon for producing 'Seven' starring Brad Pitt and Morgan Freeman.

Steve Golin is the founder and CEO of 'Anonymous Content LLP' a multimedia development, production and talent company based in California. He is best known for producing films such as; '50 First Dates' and 'Being John Malkovich'.

Director - David Fincher

David Fincher was born in 1962 in Colorado. He is best known for directing the films 'Fight Club', 'Seven', 'The Social Network' and 'The Curious Case of Benjamin Buttom'. Not only has Fincher directed movies he has also been the Director on TV adverts for companies such as Heineken and Pepsi and well as directing music video with artists such as The Rolling Stones, Michael Jackson and Aerosmith.

My own billings/credits

In this post I will include my own billings/credits which will be included into my poster and film.




Analysis of billings/credits

In this post I will analyse a posters billings/credits in order for me to outline the traditional conventions of billings/credits so I can include these into my poster/teaser trailer.


Monday, 14 May 2012

Companies to produce my film

Having looked at other psychological thriller movies, I have further researched companies which I believe appropiate to produce and distribute my film.

Production company 1 - Miramax 


Miramax Films is an American entertainment company best known for distributing both independent and foreign films. for the first years of the company being set up it was privately ownded by its founders Bob and Harvey Weinstein, but in 1993 the company was taken over by the Walt Disney Company. Miramax Films was set up in 1979 but later taken over by Walt Dinsey Company 14 years later. The founders of the company, Bob and Harvey Weinstein ran the financial and creational side of the company until 2005 when they left and decided to set up The Weinstein Company. Miramax was later sold by Disney to Colony Capital in 2010.

Films produced by Miramax include; Scary Movie 4 (2006), Kill Bill Volume I & II (2003 & 2004), Gangs of New York (2002) and Bridget Jones's Diary (2001).

Production company 2 - Dimension Films 

Dimension Films is an American sci-fi film production company currently owned by The Weinstein Company.Founded in 1992, Dimension ilms was formerly used as Bob and Harvery Weinstein's label with Miramax Films. The Weinstein's took Dimension Films with them in 2005 when they left the Dinsey owned - Miramax. 

Films produced under the The Weinstein Company (2005-present) include; Scary Movie 4 (2006), Piranha 3D (2010), Scream 4 (2011) and Spy Kids (2011).

Distribution company - Paramount Pictures Corporation

Paramount Pictures Corporation is an American film and television production and distribution company located in Hollywood. Founded in 1912 and currently owned by Viacom, it is the third oldest existing film studio in the world. Paramount Pictures is consistently labelled as one of the largest movie studios in the world. 

Films distributed under Paramount Pictures include; Jackass: The Movie (2002), Paranormal Activity 3 (2011) and Titanic 3-D (2012)



Potential Taglines for my film

In this post I have made written a list of potential taglines which will later feature on my poster and my teaser trailer. Once I compiled a list of these taglines I then conducted a sample on people aged 15-40, in order for me to get an understanding of which taglines will be most appropiate for my film and which catch the audience's eyes first.

Potential Taglines for my poster:

  • When the good turns evil.
  • It's just a familiar face.
  • From the known to the unknown.
  • This was just the beginning.
  • The psycho strikes again.
  • An obsession that could cut her life short.
  • It's time to cut him off.
  • There's nothing worse than a familiar face. 
  • There is an obsession hiding behing every corner.
Below is research which I have conducted in order to see which will be the best taglines to use for my poster. I used 40 people aged 15-40, as I see these people being the intended target audience for my film. 


Possible Tagline

Number of people who choose this tagline
When the good turns evil
2
It’s just a familiar face
4
From the known to the unknown
5
This was just the beginning
10
The psycho strikes again
3
An obsession that could cut her life short
4
It’s time to cut him off
2
There’s nothing worse than a familiar face
9
There is an obsession hiding behind every corner
1
This is a pie chart outlining my most popular tagline. 

Taglines for Psychological Thrillers

Conventions of Taglines:

  • A catchy slogan in which the reader will automatically remember.
  • They subtly refer to the plot/theme of the film.
  • Usually quite short taglines e.g. The killer is closer than you think.
  • The taglines can usually only make sense once the film has been seen.
Examples of Psychological Thriller Taglines:
  • To enter the mind of a killer she must challenge the mind of a mad man (Silence of the Lambs).
  • May the silence be broken (Silence of the Lambs).
  • Smart Girls. Pretty Girls. Missing Girls (Kiss the Girls).
  • Heads will Roll (Sleepy Hollow).
  • What's eating you? (Jeepers Creepers)
  • There's nothing more dangerous than a familiar face (One Hour Photo).
  • Seven deadly sins. Seven ways to die. (Se7en).
  • Mischief. Mayhem. Soap. (Fight Club)
  • I think my mask of sanity is about to slip (American Psycho).
From all of the examples of taglines I have chosen from psychological thrillers, they all relate to something to do with death. Most of these films will include psycho people who enter into the lives of others and make their lives hell. The taglines therefore relate to the psychos and how they will act during the film. The taglines are similar as they are to do with the ways in which somebody will indulge in pain and torture. 

Possible Pictures for poster

This picture is a medium shot, whereby the character looks isolated. Having looked at other posters of my genre film, many include a photo of just the main protaganist or as in my film the psycho himself. In this shot you are also able to see the setting which could indicate to the viewer the place in which the film will occur.
Medium Close-Up Shot. Here you are able to view the characters emotion and therefore understand the isolation and madness of the character.
Long Shot. In this shot you can see the whole of the characters body. This allows the viewer to see that nobody is around his and therefore he is isolated and alone. This represents the characters personality as him being a psycho.




















Medium-Long Shot                                                                        Medium Close-Up Shot




















Close-Up Shot                                                                                Long Shot

In the last 4 shots I changed the setting of the protaganist to allow myself the choice of which I feel will be the best shot in terms of surrounding and lighting to be part of my poster. These shots do not identify setting which for my genre of film can leave the audience asking themselves a question as to why and where he is.

Potential Poster Layouts



Poster Analysis 3 - Psychological Thriller

Seven (1995)

Poster Analysis 2 - Psychological Thriller

OneHourPhoto (2002)

Poster Analysis 1 - Pyschological Thriller

Silence of the lambs (1991)

Conventions of Posters


  • An image which is eye catching, usually the main characters in the film but sometimes of the setting of where the film is taking place.
  • Title of the film - usually in much bigger fonts than any other writing on the poster. It is meant to be memorable to the viewer of the poster. Title's have carefully chosen fonts and sizes in order to stand out on the poster.
  • Tagline for the film - this is usually and catchy slogan which will be memorable. These are used for advertisement and marketing reasons and sum up the plot/theme of the film.
  • Critics views - for example a film magazine such as Total Film will comment on the film, such as 'undoubtably the best film of 2012'.
  • Awards/Nominations will be on the view on posters. If a film has been nominated an award this will clearly be seen on a poster in order to emphasise the credability of the film. 
  • Credits - these are where the directors/producers are placed on the poster. These are usually at the bottom of the poster in small print.
  • Names of main characters - posters often put the names of main characters. This therefore will make a person want to see a film more if they have heard of a certain character.
  • Release date, either in the form of Coming Soon/Summer 2012 or an actual date such as 8th December 2011.
  • Quotes that reference other film, e.g. 'From the Director of ...'
  • Props which later may be seen in the film. 
  • Website/twitter page/Facebook site. 

Poster Annotation 2 - Human Centipede



  • Big title dominating the centre of the poster.
  • Contains quotes about the film, which could be from newspapers, magazines etc.
  • Main character seen to have a direct mode of address, looking straight at the camera, and therefore gives of an intimidating presence.
  • Other images of the film relate to the title, indicating what is going to happen in the film.
  • Doesn’t show a release date, which may indicate that it isn’t planned when the film is going to come out.
  • Reference to the Director of the film, ‘a Tom Six Film’.
  • Names of the main actors in the film at the top. 
  • Credits at the bottom of the poster. These allow people to know who has worked on the film and therefore may trigger them to see the film depending on the people involved. 

Poster Annotation 1 - Blood Diamond